MJ: Okay, new subject: Of all the movies that could be playing on an endless loop in hell, why did you choose The English Patient?
CP: I wanted a kind of lofty movie that a prepubescent girl would not really understand or appreciate. The Piano is also playing in hell. And also because, to tell the truth, sitting through both those movies was kind of a living hell for me. I just didn't get [their acclaim]. So that part of Madison is definitely me.
Read the rest of the interview here: